Thursday, 28 February 2008

Books of the month.

It's been a very productive month for reading in February, mainly because I desperately needed the distractions from revision stress.

The Virgin Suicides - Jeffrey Eugenides
It's been a while since I first read the book, written by the author of my favourite book, Middlesex. It's improved with time in my opinion. The Lisbon girls are so rich and dream-like, it's impossible to imagine why on earth they would go to the lengths they did. No solid explanation is given for the suicides, but it works better that way. Not only is it a fantastic story of depression in young girls, it's a slightly creepy tale of obsession. The boys are so obsessed with the girls that they note everything about them that they can, think about them constantly and even steal one of their used tampons (ew.) It's poetic, darkly funny and a book that all teenage girls should read.

The Dead Girl's Dance - Rachel Caine
When I read, I like to balance the serious and relevant literature with the low-brow trash I am sadly so fond of. The 2nd book in the Morganville Vampires is just such a book. It's easy to read, fun, well plotted and total trash. Sure, it's not exactly serious or original but I loved it.

The Book Thief - Markus Zusak
I can't believe this is classified as a children's book. It's so good that I don't think you should restrict it to young kids. Liesil is a young girl who is sent to live with a German couple during the 2nd World War. Grieving for the loss of her brother, she retreats into books, learning how to read and subsequently stealing anything she can get her hands on. Narrated by the wry, pensive voice of Death, it's a very detailed story with an ending that packed an emotional punch to beat The Green Mile.


Antony And Cleopatra - Shakespeare
The Advanced Higher course requires 2 plays of your choice (we have to do Shakepseare at my school but it changes depending on the school. Others offer Tennessee Williams) and this year for us it's this and Othello. I much prefer the latter. The relationship depicted in this play is very complicated and plays like a childish game of cat and mouse. She's an over-the-top needy drama queen and he's a submissive fool who's given up everything for this gorgeous girl. Eventually it destroys them both. I prefer Othello because it's so deceitful (thanks to Iago) and like a car crash to read. If Iago was a real man, I'd strangle him! There's a wonderful simplicity in Othello that isn't present in Antony And Cleopatra, which has too many characters and a pace that's hard to follow. The characters are also less likeable. I wrote an essay on the male/female relationships depicted in both plays today, so I might post it here when I get my grade back.


The Laughing Corpse - Laurell K. Hamilton
Like I said, I balance the good with the trash. This is as trashy as literature gets - a vampire hunter called Anita Blake who raises the dead for a living solves a crime about a killer zombie. It's so trashy I feel like they should invent another word for it. But it's so much fun to read I can't help but love it. It's cool to see a short, sarcastic woman as a heroine too (granted I haven't read past the 8th book, after which apparently things get really bad and she turns into a slutty bitch).

Currently I'm reading a 973 page book about the building of a cathedral during the Middle Ages. It's called The Pillars of the Earth by Ken Follett. It's very entertaining and a fantastically written story about something I wouldn't usually find interesting, but since I'm so busy this monh I doubt I'll finish it by the end of March.

Wednesday, 27 February 2008

25. Dear Frankie (Shona Auerbach)


After the not so pleasant violence of American Psycho (thanks for the comments all, it's a bit of an opinion splitter and it's good to read what you all think of it) my list takes a U turn back to my home country and is a much more mellow choice with no rats or chainsaws!

Frankie (Jack Mcelhone) is a deaf nine year old boy who lives with his mother Lizzie (Emily Mortimer). He's never met his dad before but writes to him often, believing he works far away on ships. In reality, his mother writes the replies and spins an entire fantasy father for Frankie. But the lie is almost discovered when the ship Frankie believes his father to be on board comes to their town and he wants to meet him. Desperate to keep up the facade, Lizzie hires a stranger (Gerard Butler) to play the father role for a few days.

The plot sounds very sweet and picturesque but it offers a few surprises along the way. Lizzie is such a devoted mother to her child, a boy who's more mature and knowledgable of the world than people believe him to be, and goes to ridiculous lengths to keep the truth, that his dad is a wife-beater. Okay, the tale itself is slightly implausible, but Andrea Gibb's screenplay keeps things fresh and subtle. I love it when films leave me thinking 'what if...?' and the ending to Dear Frankie does just that. The setting itself is postcard perfect with a gritty touch (pretty much like most Scottish islands).

Most notable about the films are the performances. Emily Mortimer is so underrated it's sickening. I was so surprised to find out she isn't actually Scottish because she nails the accent and doesn't seem like she's trying to hard to keep it up. Gerard Butler is brooding and keeps it mysterious (who wouldn't hire a gorgeous guy to be their son's dad?), something he doesn't get to do a lot. He appears later in my list too (I'm going to get lynched for putting that film up so high). But the stand-out is Jack Mcelhone. It is, in my opinion, one of the best child performances ever. He's completely natural, understated and wise beyond his years. His final scenes still bring a tear to my eye.
I've never claimed to have good taste in films (but it has slightly improved over the years) but this is one that I'm particularly proud of. Dear Frankie is so completely joyful and emotional and full of great acting and with a script so good it sickens me that I'll never write something as affecting as this.
Top Moments:
- Frankie in the playground with the girl who can only sign 'H-E-L-L-O.'
- Lizzie and the stranger in the doorway.
- Frankie talks to the stranger and gives him a present (I cried so much)
Favourite Quote:
"I was looking for a man... a stranger. No past, no present, no future."

Monday, 25 February 2008

Absolutely Flawless - my Oscar fashion choices.

My favourite dresses of the night in no particular order.














2008 Oscars!

Here are the results!

Film Of The Year
No Country for Old Men

Best Director
Joel and Ethan Coen - No Country for Old Men

Best Actor
Daniel Day-Lewis - There Will Be Blood

Best Supporting Actor
Javier Bardem - No Country for Old Men

Best Actress
Marion Cotillard - La Vie en Rose

Best Supporting Actress
Tilda Swinton - Michael Clayton

Adapted Screenplay
No Country for Old Men, Written for the screen by Joel Coen & Ethan Coen

Original Screenplay
Juno, Written by Diablo Cody

Best Animated Feature
Ratatouille

Achievement in Art Direction
Sweeney Todd

Achievement In Cinematography
There Will Be Blood

Achievement In Costume Design
Elizabeth: The Golden Age

Best Documentary Feature
Taxi to the Dark Side

Achievement In Film Editing
The Bourne Ultimatum

Best Foreign Language
The Counterfeiters - Austria

Achievement In Make-Up
La Vie en Rose

Original Score
Atonement

Original Song
Falling Slowly - Once

Achievement In Sound Editing
The Bourne Ultimatum

Achievement In Sound Mixing
The Bourne Ultimatum

Achievement In Visual Effects
The Golden Compass
My thoughts:
Tilda Swinton? It happened again? Well, I welcome surprises at the Oscars, but I was hoping the surprise would be Saoirse Ronan. At least in wasn't Ruby Dee. On the bright side, it's totally refreshing to see a woman wearing no make-up and joking around when billions of people are watching her. Javier's speech was great - lovely touch with the Spanish message to his mother. If possible I love him even more. I wanted Casey to win but I'm perfectly happy with Mr Bardem. Cheers for Marion! She was bubbly and shocked and stunning, well done to her. My French teacher was very happy that Marion had won. Day Lewis - if you didn't see that coming, you've been on Mars. It was a bad night for my favourite Atonement (one award!?) but the Coens had a fab one, winning 3 awards for themselves. How great is their hair? Only one category that I was desperately rooting for won - Diablo Cody. How great is it that a former stripper won an Oscar? I think one of the biggest robberies of the night was the lack of award for Roger Deakins in cinematography. Jesse James was so low on nominations despite being one of the best films of the year (was two westerns enough for the academy?) and it should have been acknowledged for the stunning cinematography. There Will Be Blood does look pretty good though so can't moan too much.
I will probably download the ceremony in a few days time to completely soak up the atmosphere. I've been watching a lot of E!s red carpet stuff to bask in the glory of those dresses (current favourite - Marion Cotillard's mermaid inspired number and Saoirse Ronan in green). I'll get some pictures of the dresses up once I steal them from JustJared. That's the awards season over, now to start all over again in a few weeks!

Saturday, 23 February 2008

26. American Psycho (Mary Harron)

For a squeamish girl,I'm surprising myself by adding another gory and rather disturbing film to my list. However, I'm of the school that says anything is okay if taken in a satirical vein, and American Psycho is one of thje best satires of the past 10 years for me.
Patrick Bateman (the ever so sexy Christian Bale) is a young, gorgeous and successful yuppie who could have anything he wanted in the world. On the surface to his equally shallow and self-obsessed friends, he has a perfect life. But in secret he enjoys nothing more than to torture and kill people. Or does he...?

I recently read the book and was even more disturbed (one word: rats) but it still amazed me. It's a notoriously difficult book to adapt but the film gets all the sick stuff right and balances it with just the right amount of satire and over-indulgence that is the 80s. In one scene, Patrick and his friends compare their business-cards to see who has the best one. They all look the same to me but to Patrick, they're proof that he is inferior and indifferent to those around him. He wants to be different and stand out from the crowd, so indulges his homocidal tendancies and tries to brag about them but no-one listens. He's a man who spends as much time describing his music tastes and morning routine as he does with his victim's demises. The more he strives to be noticed, the more disturbing the victim's deaths become. This theme takes precedence over the plot which isn't as interesting. It's a by-the-numbers murder that Willem Dafoe wats to solve but I was much more interested in Patrick's feverish mind.

Christian Bale is a revelation, pure and simple. You just couldn't imagine anyone else playing this role. It takes one hell of an actor to run around naked and covered in blood, chasing a prostitute with a chainsaw and be taken seriously. He makes Batemen one of the best fictional psychos on screen. Not many other people get a real chance to shine with Bale being so awesome but they manage to stay solid (I did like Chloe Sevigny a lot).

It's darkly funny (the best kind of humour) but never detracts from the true horror of the situation. By the film's ambiguous ending, we're not sure whether it's all happened or Patrick just imagined it all (a girl in my English class is studying the book for her dissertation and gave me a lot of good insights on the character) but neither option is a particularly pleasant one.
Top Moments:
- "It's hip to be square."
- Confrontation in the bathroom.
- Chloe Sevigny comes over for dinner (see above)
Favourite Quote:
"Harold, it's Bateman, Patrick Bateman. You're my lawyer so I think you should know: I've killed a lot of people. Some girls in the apartment uptown uh, some homeless people maybe 5 or 10 um an NYU girl I met in Central Park. I left her in a parking lot behind some donut shop. I killed Bethany, my old girlfriend, with a nail gun, and some man uh some old faggot with a dog last week. I killed another girl with a chainsaw, I had to, she almost got away and uh someone else there I can't remember maybe a model, but she's dead too. And Paul Allen. I killed Paul Allen with an axe in the face, his body is dissolving in a bathtub in Hell's Kitchen. I don't want to leave anything out here. I guess I've killed maybe 20 people, maybe 40. I have tapes of a lot of it, uh some of the girls have seen the tapes. I even, um... I ate some of their brains, and I tried to cook a little. Tonight I, uh, I just had to kill a LOT of people. And I'm not sure I'm gonna get away with it this time. I guess I'll uh, I mean, ah, I guess I'm a pretty uh, I mean I guess I'm a pretty sick guy. So, if you get back tomorrow, I may show up at Harry's Bar, so you know, keep your eyes open."

"Nobody knows anything."


Since I won't be watching the live show - still a bit disappointed about that - I'm going to make my predictions now along with my preferred results now because tomorrow I'll be stroppy.

Best Picture:
Winner - No Country For Old Men
Second Choice - There Will Be Blood
My Choice - Atonement

Best Director:
Winner - Joel & Ethan Coen (No Country For Old Men)
Second Choice - Julian Schnabel (The Diving Bell and the Butterfly)
My Choice - Joel & Ethan Coen (No Country For Old Men)

Best Actor:
Winner - Daniel Day Lewis (There Will Be Blood)
Second Choice - Is there really any need for one?
My Choice - Johnny Depp (Sweeney Todd)

Best Actress:
Winner - Julie Christie (Away From Her)
Second Choice - Marion Cotillard (La Vie En Rose)
My Choice - Ellen Page (Juno)

Best Supporting Actor:
Winner - Javier Bardem (No Country For Old Men)
Second Choice - Casey Affleck (The Assassination of Jesse James...)
My Choice - Casey Affleck (The Assassination of Jesse James...)

Best Supporting Actress:
Winner - Ruby Dee (American Gangster)
Second Choice - Cate Blanchett (I'm Not There)
My Choice - Saoirse Ronan (Atonement)

Best Adapted Screenplay:
Winner - Ronald Harwood (The Diving Bell and the Butterfly)
Second Choice - Joel and Ethan Coen (No Country For Old Men)
My Choice - Christopher Hampton (Atonement)

Best Original Screenplay:
Winner - Diablo Cody (Juno)
Second Choice - Tony Gilroy (Michael Clayton)
My Choice - Diablo Cody (Juno)

Best Animated Feature:
Winner - Ratatouille
Second Choice - Persepolis
My Choice - Erm, The Simpsons Movie...

Art Direction:
Winner - Sweeney Todd
Second Choice - Atonement
My Choice - Atonement

Cinematography:
Winner - The Assassination of Jesse James...
Second Choice - No Country For Old Men
My Choice - The Assassination of Jesse James...

Costume Design:
Winner - La Vie En Rose
Second Choice - Elizabeth: The Golden Age
My Choice - Atonement

Film Editing:
Winner - The Bourne Ultimatum
Second Choice - No Country For Old Men
My Choice - No idea

Best Foriegn Language Film:
Winner - The Counterfeiters (Austria)
Second Choice - erm...
My Choice - Pass.


Make Up:
Winner - La Vie En Rose
Second Choice - Pirates of the Caribbean: At World's End
My Choice - La Vie En Rose

Original Score:
Winner - Atonement
Second Choice - Ratatouille
My Choice - Atonement

Original Song:
Winner - Falling Slowly (Once)
Second Choice - That's How You Know (Enchanted)
My Choice - Falling Slowly (Once)

My Thoughts:
Well, it's been harder than I thought it would be to do this list. I made a couple of changes that surprised even myself. For example, Ruby Dee. She's had a lot of buzz around her for a 5 minute role and she's a favourite in Hollywood. I have this nagging feeling she'll win and I always go with my instincts when dealing with award predictions. It's a shame Saoirse Ronan has next to no chance of being the winner. Some categories were pointless to predict, like Day Lewis for Best Actor. We all know he's got it in the bag, but if someone else does actually do the unthinkable and win, I'll eat my Kate Moss dress. You never know, Adrien Brody did it, remember... I'm still keeping Julie Christie for Best Actress because she's an old timer and the critic's favourite. Marion has been gaining a lot of momentum lately and she would definately be a worthy winner. Coens all the way on the director front but Schnabel may pull a fast one. Juno only really has one lock - original screenplay - but the academy may be jerks and go for the more heavy, political film. There's really not much else to say other than good luck to my teams - Atonement, Juno, Coens, Ellen, Johnny, Saoirse and Casey. I always seem to root for the underdog. That's how you can tell who's going to win - it's always the people I dodn't vote for!

Wednesday, 20 February 2008

*drumroll*

My prelim results:
English - 68%
Religious Studies - 78%
French - let's not go there!
The appropriate phrase for my French result is 'crash and burn!' I knew it had gone badly but not how badly. I've got a few weeks to get it up to a B. Impossible, I hear you say...not for the biggest hysterical geek this side of Blairgowrie!
On the bright side I got the highest mark in my Religious Studies exam (it's an A) and joint 2nd highest in English (that's a B) so it's all evening itself out. Of course, these things count for nothing except to massage my ego. So when the real things roll by I need to replicate the passes and improve the French.
Here's a congratulations and big hugs to all at my school who read this (that translates to one person - Pamela, you rock!) and hope that the real things go just as well or better for you!

Sunday, 17 February 2008

27. Goodfellas (Martin Scorsese)

Back from a small hiatus (i.e. laziness struck) and returning to the top 30, my list begins to get a little more credible. This is a special film for me because it's the film I watch with my dad. He's a huge gangster film fan, as well as war films and Quentin Tarantino, and this is one of the few movies that we can watch together, a bit surprising because of the extremely large amounts of violence and swearing. No matter, it's still a fantastic film and my favourite of the genre.
Goodfellas is the true story of New York Mafia member Henry Hill (Ray Liotta), depicting his life from childhood to the height of success, then back down to his downfall. Scorsese is undoubtedly a legend (why did it take almost 30 years for him to win an Oscar?) and this is his best film, in my opinion. His passion is obvious in every scene, from the tracking shot through the nightclub's kitchen to the unforgettable "You think I'm funny?" scene (kudos to Joe Pesci for one of the greatest scene-stealers in cinema). The film opens with a bang and doesn't slow down. The voiceover is actually a good one and acts like a character in the story, even though it's usually a sign of sloppy screen-writing. He uses every technical trick in the book - stedicam, montage, freeze frames - yet it never feels overdone. Not many directors can do that. Plus he was kind enough to give his mum a cameo!

Pesci is the scene-stealer, but the rest of the cast is in no way inferior to him. De Niro and Liotta work well together and give great performances, something they've not had a lot of chances to do lately. Lorraine Braco is excellent too, but grates a little towards the end
.
I don't cope well with violence in films, and I get sick of swearing overkill (even though I'm Scottish and swearing is practically part of the vocabulary) and Goodfellas has both of them. However, I never tire of watching this film, everything feels necessary. It's all about excess and how the notorious lived at the time. You can never have too much of a good thing in a film.

Top Moments:
- "How am I Funny?"
- Henry goes to jail.
- The opening scene.

Favourite Quote:
"As far back as I can remember, I always wanted to be a gangster."

Saturday, 16 February 2008

"Snape...Snape...Severus Snape..."

It never gets old!

"Life is a cabaret!"

Emma reminded me of how much I adore musicals, especially the songs from Rent. So, to waste time from actually doing dissertation work (I have a degree in procrastination!), here are some of my favourite songs from musicals.

Mein Herr - Cabaret


Come What May - Moulin Rouge!


Defying Gravity - Wicked


It Sucks To Be Me - Avenue Q


You Can't Stop The Beat - Hairspray


The Time Warp - Rocky Horror Picture Show

Thursday, 14 February 2008

Happy Valentines Day!

Here's to all the lovebirds out there and all the lonely ones too. It doesn't matter if you have someone to suck face with or not, as long as you treat yourself just for one day. Watch some Baz Luhrmann films or listen to some Etta James, maybe just eat something with so much sugar it makes you ill. I'm rubbish at romance, I love to watch it and read it and listen to it but when it comes to putting those things into practice, I repel blokes like a bout of dysentry! No matter, instead I'm gonna eat some noodles and have a Joe Wright marathon of Pride and Prejudice and Atonement. I'll leave you with one of my favourite songs ever.

Wednesday, 13 February 2008

*Sob*

Bad news. I'm not getting to watch the Oscars this year. It's too expensive for my parents to pay for the Movies package so I'll just have to be happy with the next day's highlights. Am I sad? You bet...This was the one massive awesome thing I was looking forward to that would make my 2008 a lot better. But I can't blame my parents, it's not their fault AMPAS won't let the BBC broadcast it.

Monday, 11 February 2008

How did I do?

Best Film - Atonement
Best British Film – This Is England
The Carl Foreman Award for Special Achievement by a British Director, Writer or Producer for their First Feature Film – Matt Greenhalgh
Best Director – Joel Coen/Ethan Coen (No Country For Old Men)
Best Original Screenplay – Diablo Cody (Juno)
Best Adapted Screenplay – Ronald Harwood (The Diving Bell and The Butterfly)
Best Film Not In The English Language – The Lives of Others
Best Animated Film – Ratatouille
Best Actor – Daniel Day Lewis (There Will Be Blood)
Best Actress – Marion Cotillard (La Vie En Rose)
Best Supporting Actor – Javier Bardem (No Country For Old Men)
Best Supporting Actress – Tilda Swinton (Michael Clayton)
Best Music – La Vie En Rose
Best Cinematography – No Country For Old Men
Best Editing – The Bourne Ultimatum
Best Production Design – Atonement
Best Costume Design – La Vie En Rose
Best Sound – The Bourne Ultimatum
Best Visual Effects – The Golden Compass
Best Make Up and Hair – La Vie En Rose
The Orange Rising Star Award – Shia LaBeouf

The ones in bold are the ones I got right, the italics are the ones I didn't predict.

My thoughts:

Wow, it was a surprising year in some of the categories. For one, the Atonement sweep did not happen, but it did deservedly pick up Best Film. Overall my predictions weren't too bad but I didn't see Tilda Swinton coming. As upset as I am that Saoirse didn't win, I did love Tilda's speech, she was genuinely witty and surprised and grateful to have been acknowledged. The same applies to the other big surprise of the night, Marion Cotillard's win. How pretty was she? I love it when people throw aside their calm exteriors and let out all their emotions and she did just that. Good on you girl! Otherwise the acting went as expected with Javier and Daniel winning, Day Lewis must be running out of things to say at award shows. Jonathan Ross didn't do too bad a job of presenting, considering that he sunk like a lead balloon last year. The Brits did us proud and dared to be a bit different.Even though only 7 of the past 20 films have won both Best Film at the BAFTAs and Best Picture at the Oscars, the last one being Return of the King in 2003, it's good to see the BAFTAs being recognised as a serious awards show. One serious enough for Ryan Seacrest to ruin with his E! News commentary. Thank God the adorable Ben Lyons was there to balance things out!

Sunday, 10 February 2008

30 minutes until the BAFTAs...

Finally, I'll be able to watch an awards show! I'm still holding out for hope that the parents will let me watch the Oscars. Here are my rather rushed predictions:

Film - Atonement
British Film - This Is England
Director - Joe Wright (Atonement)
Original Screenplay - Diablo Cody (Juno)
Adapted Screenplay - Joel and Ethan Coen (No Country For Old Men)
Foriegn Film - The Lives Of Others
Animated Film - Ratatouille
Leading Actor - Daniel Day Lewis (There Will Be Blood)
Leading Actress - Julie Christie (Away From Her)
Supporting Actor - Javier Barden (No Country For Old Men)
Supporting Actress - Saoirse Ronan (Atonement)
Rising Star - Shia Laboeuf

Thoughts:

You can always rely on the good old BAFTAs to be a little bit biased for the Brits. I'm rooting for the Atonement sweep (except for Keira Knightley) all round and hoping Saoirse gets some well deserved recognition. Otherwise it's all a bit predictable especially with the acting. Where was Casey Affleck's nomination?I put This Is England as the British Film winner because I don't see them giving Atonement 2 awards for Best Film. How great is it to see The Lives Of Others so prominently featured in the categories? Yes, it's a little out of date but it deserves those nominations especially a posthumous nomination for Ulrich Muhe. I'll be back tomorrow to rant/cheer (delete where applicable)

Saturday, 9 February 2008

Quick review.



I'm not feeling too healthy today and work didn't make me feel any better. So to liven up my spirits, I watched Ratatouille, Pixar's Oscar nominated animation about the wannabe rodent chef Remy, directed by the genius Brad Bird.

Pros:

  • It's one gorgeous film. I've only ever been that astounded by one other non Miyazaki animation and it was Mulan (I can't have been the only one). Paris is picture perfect and if they gave animated films awards in cinematography, Ratatouille would sweep the board!
  • The food is also equally as gorgeous. The eponymous meal itself had my stomach jumping (it was that or the girly pains, I'm not sure which.) It's obvious that a lot of love went into creating those dishes for the screen, much in the same way a chef cooks for the public, and it shows.
  • The voice actors fit their roles perfectly. My personal favourite was Peter O' Toole as the Grim Eater Anton, Ego. The man looked like death and O' Toole perfected that voice to the expressions. Every wannabe critic, myself included, wants the sort of power he has, possibly without the resentment though!
  • The direction is flawless, I wouldn't expect anything less from Bird.
  • There's some excellent physical comedy (Remy and Lunguini trying to cook together) as well as some more subtle moments.

Cons:

  • While the film was funny, it didn't make me laugh out loud a whole lot compared to other Pixar films. The whole romance with Linguini and the French chef felt undercooked, no pun intended, and didn't add much to the overall film.
  • This is a great film, I'm not disputing that. But Empire recently decided it was the 2nd best Disney film ever. It's not even the 2nd best Pixar film (that's Finding Nemo. The 1st is Monsters Inc.) Technically, it's unbeatable. The design, the music, the beauty, it's all there for you to take in. But it falls short on other schemes. Remy is not as memorable a character as other Pixar creations so I didn't feel for him like I did with Mike and Sully or others. It didn't pack the emotional punch of said film either. Pixar have come so close to making me cry on several occasions but with Ratatouille, I was sort of apathetic. I had fun and it's a very watchable film, it's just a little cold. It's like Ian McEwan - beautiful but frigid. It's an 8/10 movie that could have been a masterpiece in my eyes. It will be seen as one though for many years to come (almost every critic I've read has worshipped the film) and it will no doubt win the Best Animation Oscar.

Conclusion:

Pixar have made an excellent film and itis there for you to marvel. I have always admired the studio, they're meticulous to detail and a credit to their craft (sorry for the pretension) and I feel a bit Ego-ish for picking it to pieces. But it wasn't perfect. Maybe it will grow on me with repeat viewings but for now, it's a great film that falls short of amazing.

Friday, 8 February 2008

Prelims are over!

The English one went well, the French one was an effing disaster and the Religious Studies one was okay but my hand is still in pain. Only three months or so until the real ones. Boo...
Exams are unnecessary stress but prelims for 6th years, which are totally pointless because you can't use them for an appeal because the universities don't accept them, are even worse! But exam leave is a good thing, I've got all of next week off to do as I please. Which means I'll be doing all my dissertation work instead and getting stressed even more! So here's to Friday evenings...and the impending day of work tomorrow.

Thursday, 7 February 2008

Vanity Fair 2008.


This year, the Hollywood issue of Vanity Fair has a Hitchcock themed photo-shoot with some fantastic photography and gorgeous people posing from movies like Psycho, Vertigo and North by North-West. Here are some of my favourite pictures...







While I don't really agree with some of the choices (Scarlett Jo as Grace Kelly?), I adore the one of Marion Cotillard and the shower scene, she looks beautiful. The Marnie picture of Naomi Watts is luminous too. But my favourite is Strangers On A Train with gorgeous James and Emile. It's the only time of year I buy the magazine, it's totally worth it. Plus Ellen Page is on the cover!

Wednesday, 6 February 2008

The best laid schemes o' mice an' men gang aft aglay...

Last night was a great opportunity to relax from the stresses of prelim revision (My English exam went pretty well, I think. I didn't panic and wrote more than I thought I would) and have fun with my English class. We all went out for a meal together then saw a play. The picture to the left is the dress I wore. It's from the Kate Moss range at Topshop and a bargain! My only problem was that it was dangerously more low cut than I thought it would be and was pulling it back over my modesty all night. Okay for girls like Miss Moss with bee stings for boobs, not me! I'm not well endowed but there's something there at least. The necklace is actually my sister's. I bought her it as an Xmas present and she told me to put it on and you don't argue with the most narcissistic teenager on the planet!

The play we went to see was the Perth Theatre's production of John Steinbeck's Of Mice And Men. I read the novella in 3rd year and didn't like it. But I adored the play. It was such a lovely, well put together production and the two leads were amazing, especially the man who played Lennie. I found a review from the Guardian HERE. which says things a lot more eloquently than I could. So if you're ever in Perth by some amazing chance, go see this! My class is going on another theatre trip next month to see my 2nd favourite Shakespeare play of all time, Romeo and Juliet. I love the theatre, not as much as the cinema but it's pretty close. It's a shame that I can't go very often...

Tuesday, 5 February 2008

The Trials of Saoirse...

As everyone that's been on this blog knows, I am campaigning for Team Saoirse this year in the Best Supporting Actress category. Here is my less than artistic way of doing so.

Aren't those the most haunting eyes you've ever seen? I hated the book of The Lovely Bones but because Miss Ronan is in it, I'll be in the front row on opening weekend. AMPAS, do the right thing and vote for Briony Tallis.

Monday, 4 February 2008

Empire Award Nominations...

Emma Watson?
EMMA WATSON?!?!?!
I am beginning to hate the readers of my favourite magazine. It was bad enough that they voted her one of the sexiest actors alive (I'm still ranting about that) but now she's up for Best Actress of the year in the Empire Awards, the only British movie awards voted for solely by the readers. It's sickening, she is a terrible actress who completely bastardised Hermione Granger! Eyebrow movie and arm waving with a screechy voice does not constitute an acting career! And Daniel 'horse molester' Radcliffe is also up for it too. You cut me deep...
It wasn't all bad though. Saoirse Ronan is up for Best Newcomer and Angelina Jolie is up for Best Actress. Jesse James finally gets some recognition beyong Casey Affleck and the soundtrack award is brilliant. Hot Fuzz is in there too, hilarious film worth watching solely for the Somerfield shoot up.
I would never give up Empire for the crappiness of Total Film but if Watson wins that award over Jolie or anyone else in that category, I'll hunt her down.

Sunday, 3 February 2008

Prelims start tomorrow...

Joy oh bloody joy...
I guess that's one good thing about being a teenager - you can complain about everything with good reason to. These aren't even the real exams, they're simply mocks to see how well we're getting on. Tomorrow is the English exam, something that I'm dangerously unprepared for. Thr SQA expect way too much from us, they want 2 essays of 800 words each in 2 hours! I sometimes get a little paranoid and wonder if the whole bloody world is conspiring against the adolescents! At least I only have 3 exams to sit (still feel bloody guilty for dropping geography) then get a whole week of study leave to myself.

I guess I shouldn't complain so much about exams. I've got my university offers (but can't reply to them until St Andrews get back to me. I won't get into there, they're so fussy. Kind of like the Scottish equivalent of Oxbridge.) so should be a little less stressed. But I really am an over-achiever. I need to pass these exams to prove to myself that I'm not a total waste. I have a major failure complex, it's sort of disturbing...

So good luck to everyone out there in the same situation as me, get out there and prove to the world we aren't all wasters! I shall leave you with my song of the day and the man of my life...


28. Dogville (Lars Von Trier)

This is the first time my favourite film list gets ever so slightly pretentious. It's also the first time I can say how uncomfortable I feel by loving this film. The first time I sat down to watch the butt numbing 3 hours long film by the pioneer of Dogme film-making, I was a naive 15 year old who wanted to stop watching bad films and see what the world of cinema had to offer. Plus the DVD was only £3. I knew that it would have good acting in it - Nicole Kidman is my 2nd favourite actress and I've always had a soft spot for Paul Bettany - and it would be interesting if nothing else. I didn't expect to be rocked to the core...

Grace (Nicole Kidman) is on the run from mobsters and ends up in the small community of Dogville. The idealistic member of the town, Tom Edison (Paul Bettany) is smitten with her and convinces the town to allow refuge to Grace in return for physical labour. Things start out fine and Grace fits in well with the residents. But it isn't long before the residents show their true colours and break down Grace mentally and physically.

The most provocative aspect of the film is the set - or lack of. Von Trier uses a theatrical style set with chalk lines, bare props and no walls. It's a brave move and one that pays off because it is this that gives Dogville an edge over films of a similar genre. The viewer can see everything that goes on in the life of the townspeople, even if they can't. In one heartbreaking scene, Grace is raped in one of the houses yet everyone around her is oblivious. We can see the act taking place as well at the activities of everyone else in town. It gives the allegory of dark activities happening behind closed doors to a whole new level. It takes a bit of getting used to at first (pretending to open doors) but coupled with John Hurt's ever knowing narration, it's a risk that pays off.


This is a weird thing for me, it's a favourite film of mine that I can't watch at any time. With the first two on my list, I can pick them up any day of the week no matter what my mood and watch them. But with this, I need to be just right. It's a tough film to sit all the way through, it breaks my heart everytime I see Grace cry or be abused, yet when i do turn it on, I can't turn away. It's like a car crash. You hope and beg that everything turns out okay for Grace in the end, she's so innocent and child-like. Nicole Kidman makes a lot of weird choices in her projects but she's never dull. Dogville was villified as anti-American which angered a lot of people. I think Anti-American is being a bit kind - it's more anti-human! Von Trier conveys a world where nobody is willing to help a girl in need without getting something else out of it. The finale is proof that revenge is best cold and had me punching the air with relief (it also has one of the best closing credits songs ever). I haven't seen Manderlay yet (and I call myself an obsessive Bryce Dallas Howard fan!). I will need to prepare myself before I do.

Top Moments:
- Tom confesses his love for Grace
- The final scene.
- The closing credits to David Bowie.
Favourite Quote:
"There's a family with kids. Do the kids and make the mother watch. Tell her you'll stop if she can hold back her tears. I *owe* her that."

Friday, 1 February 2008

How am I reading?

My 1001 books task hasn't gotten off to the best start. I've been so busy and stressed with prelim preparation lately that sadly reading has taken a back seat. Luckily I did read 2 books by Ian McEwan.
Atonement
I really wish I'd read the book before I saw the amazing film. It's a bad habit of mine, I absolutely feel the need to read the book before I see the movie or it feels weird. Don't blame me, I was born a geek. Anyway, I must say I did enjoy the book. The detail is superb, McEwan is excellent at making the most normal thing seem beautiful. The lush surroundings of the Tallis mansion are exquisite to read about and never feel dull. But this is in part McEwan's downfall for me. He is almost unbeatable at describing landscapes and character's smallest details, yet none of his characters are warm. It might just be me but they all seem horribly cold to me. Briony was almost unbearable, she got on my nerves so much. Cecilia was frigid and pretty but not much else (so in that aspect, Keira Knightley got her perfect) and Lola was just asking to be shot. Robbie was the only one I was remotely interested in. I don't understand how they could br so lifeless when the detail is so perfect. Maybe I'm mad or wrong, but it didn't make me feel for anybody. It wasn't a bad book, on the contrary I enjoyed it immensely, but the characters did nothing for me.
On Chesil Beach
Another McEwan novel, this time his most recent short story about a newly married couple and their fears for the impending wedding night. This had a very moving ending but that had more to do with my hormones than the characters. Once again, coldness took over. The newlyweds could have been made more welcoming and their fears/excitements easier to relate to. But I couldn't stand the pair of them. She was fussy and panicky and stupid while he was a bit of a brute in training. I liked it more than Atonement though. McEwan's statements of the lack of sex education in the 1960s before the hippie revolution is something I'd never read before, but it's not enough to grab me totally. I never felt the need to read and read to the end like I do when I read Perfume or Middlesex. I'll keep reading him though (almost all of his books are on the 1001 books list) but I think I'll go onto Frankenstein before that.